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Spawned in 1999, Projexorcism was begun when Ed Cooper acquired two Bell & Howell 2592 auto-shred projectors and 200 educational films. By 2003 Projexorcism had defined a unique flavor of experimental hyperactive expanded cinema & has since been pushing the boundaries of weirdness. Currently Projexorcism is using a quad 16mm projector array suspended from a lighting pole - the projectors are synchronized with a 4- channel sound-actuated variable speed lighting controller. The projected images are split, inverted and bent using silver reflective CD-R's and Fresnel lenses. In May 2005 the Catawba Council for the Arts awarded Projexorcism an Innovative Project Grant to add a Film-to-Video Regurgitation Array to their quad 16mm setup. Unbound from the linearity of film, the 16mm setup is now augmented with real-time video capture, manipulation & projection devices.

The film is manipulated using various techniques to create new contradictory action sequences and dialogue. Films are chosen to reflect relevant, irreverent or nonsensical themes – black history, presidents, Gila monsters. Film often breaks or passes through the projection gate in a manner inconsistent with film preservation, much to the dismay of Jedi film preservationists. The kinetic swinging and shaking of the film tree will warp reels and melt film - CDs fall to the ground - the shriek of optical sound feedback as dust clogs the sound bulb - the randomly choreographed accidents of brilliance & stupidity – a space armada of keyboards scoring a photonic overture. Projexorcism is joined by a rotating cast of musicians which have included Jacob Lunow, Tom Devlin, Faze Exile, Richard Jeffries, Chad Davis, Ben Teeter, Steve Burnette, Joe Sample and Rick Gallagher. Projexorcism has projected in collaboration with US Christmas, Acid Mothers Temple, Rommanis Motte, The Steve Mackay Ensemble, Feralcatscan, Temple of Bon Matin, Khate, Hellblinki, Weedeater, Sikhara & more.

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